Catherine Cassidy for Life Magazine, 1950 — Limited Edition Print
Catherine Cassidy wears vintage fashion for a Life Magazine photoshoot in 1950. Cassidy had a career of acting and modeling, splitting time between New York and her hometown of Los Angeles.
Details
Print Type
Shipping
- 20" x 24" / Edition of 20
- 30" x 40" / Edition of 7
- Printed on premium Canson Platine Fibre Rag Inkjet Paper (310gsm).
- An archival pigment print offers exceptional depth, detail, and longevity.
- Each image is digitally remastered, signed, editioned, and embossed for authenticity.
- Accompanied by a Certificate of Authenticity.
Gelatin Silver Print
Before the advent of digital technology at the end of the twentieth century, the gelatin silver process had been the most commonly used method of making black and white prints since the 1890s. A negative image is transferred to light-sensitive paper that has four layers: a paper base, a white opaque coating of gelatin and barium sulfate that creates a smooth surface, the gelatin layer that holds the silver grains of the photographic image, and a protective gelatin overcoat. Properly exposed gelatin silver prints are quite stable if exhibited under controlled light conditions.
Until the 1970s, art photographers used this process almost exclusively to create high-quality black and white prints. Color photography was considered a commercial medium, not suited to serious artistic expression. Today, as fewer and fewer photographers are working in darkrooms, gelatin silver printing is quickly becoming an antiquated, historic process.
Before the advent of digital technology at the end of the twentieth century, the gelatin silver process had been the most commonly used method of making black and white prints since the 1890s. A negative image is transferred to light-sensitive paper that has four layers: a paper base, a white opaque coating of gelatin and barium sulfate that creates a smooth surface, the gelatin layer that holds the silver grains of the photographic image, and a protective gelatin overcoat. Properly exposed gelatin silver prints are quite stable if exhibited under controlled light conditions.
Until the 1970s, art photographers used this process almost exclusively to create high-quality black and white prints. Color photography was considered a commercial medium, not suited to serious artistic expression. Today, as fewer and fewer photographers are working in darkrooms, gelatin silver printing is quickly becoming an antiquated, historic process.
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