Audrey Hepburn for Gigi, 1951 — Limited Edition Print
Audrey Hepburn wears a sailor costume in a publicity shot for Gigi at New York's Barrymore Theatre for Life magazine in November of 1951. The show would later be turned into a movie that was awarded nine Oscars.
Details
Print Type
Shipping
- 20" x 24" Paper Size / 15" x 22.5" Image Size – Edition of 50
- 24" x 30" Paper Size / 18" x 27" Image Size – Edition of 100
- Printed on premium Canson Platine Fibre Rag Inkjet Paper (310gsm).
- An archival pigment print offers exceptional depth, detail, and longevity.
- Each image is digitally remastered, signed, editioned, and embossed for authenticity.
- Accompanied by a Certificate of Authenticity.
- All images are printed at image size.
Gelatin Silver Print
Before the advent of digital technology at the end of the twentieth century, the gelatin silver process had been the most commonly used method of making black and white prints since the 1890s. A negative image is transferred to light-sensitive paper that has four layers: a paper base, a white opaque coating of gelatin and barium sulfate that creates a smooth surface, the gelatin layer that holds the silver grains of the photographic image, and a protective gelatin overcoat. Properly exposed gelatin silver prints are quite stable if exhibited under controlled light conditions.
Until the 1970s, art photographers used this process almost exclusively to create high-quality black and white prints. Color photography was considered a commercial medium, not suited to serious artistic expression. Today, as fewer and fewer photographers are working in darkrooms, gelatin silver printing is quickly becoming an antiquated, historic process.
Before the advent of digital technology at the end of the twentieth century, the gelatin silver process had been the most commonly used method of making black and white prints since the 1890s. A negative image is transferred to light-sensitive paper that has four layers: a paper base, a white opaque coating of gelatin and barium sulfate that creates a smooth surface, the gelatin layer that holds the silver grains of the photographic image, and a protective gelatin overcoat. Properly exposed gelatin silver prints are quite stable if exhibited under controlled light conditions.
Until the 1970s, art photographers used this process almost exclusively to create high-quality black and white prints. Color photography was considered a commercial medium, not suited to serious artistic expression. Today, as fewer and fewer photographers are working in darkrooms, gelatin silver printing is quickly becoming an antiquated, historic process.
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