David Bowie is photographed crouched down and crooning onstage during his late American tour in 1976. Gone is the make-up, the glitter, and the outrageous clothes of previous tours, and in its place is a white-suited Gatsby look.

Lee Marvin smokes a cigarette on the set of Stuart Rosenberg's comedy western Pocket Money in Tucson, Arizona in 1971. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up with his old partner (Lee Marvin) to complete his latest job for a shifty businessman. 

Supermodel Kate Moss poses in a black lace bodystocking during a photoshoot. This shot was taken in London in March of 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

John Birks "Dizzy" Gillespie is photographed playing the trumpet on Ken Nordine's jazz TV show in Chicago in 1961. Gillespie's combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop and one of the greatest jazz trumpeters of all time.

Honor Blackman stands in a bikini on the beach for a publicity shot to promote the 1964 James Bond film Goldfinger. Spelled out in the sand is the name of her character, Pussy Galore.

Roger Moore is photographed as the famed British Secret Service agent James Bond. He was the lead in seven Bond features and O'Neill recalls going to the set of Live and Let Die thinking he would "go take photos of Roger Moore, but [he] came out knowing that [he] just took photos of James Bond.”

American fashion model Nena von Schlebrügge is photographed wearing a damson velvet hat by Pierre Cardin during a photoshoot for Queen magazine on August 31, 1960.  The photoshoot featured Schlebrügge modeling in a helicopter flying over the Eiffel Tower. 

Chuck Negron of American rock band Three Dog Night is photographed on stage in the early 1970s.  Ed Caraeff would form a tight relationship with the band and become their official tour photographer for many years.  

CMarlon Brando is photographed on the set of Bernardo Bertolucci’s controversial 1973 masterpiece The Last Tango In Paris. The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different jurisdictions.

Brigitte Bardot is photographed on the set of the western comedy Les Petroleuses a.k.a. The Legend of Frenchie King in Spain in 1971. Taken as part of a three-part series O'Neill was doing on Bardot, the image captures the bombshell in her role as an outlaw in search of oil complete with leather pants and a holstered gun.

Sean Connery and Brigitte Bardot pause during a photoshoot of their own in Deauville, before the filming of 1968 movie Shalako. The movie, directed by Edward Dmytryk, was the first time that the two icons met and worked together. 

John Fogerty, lead singer and guitarist of Creedence Clearwater Revival, is photographed performing with the band at the Oakland Coliseum Arena in California in 1970. The show would be recorded and released as an album years later, becoming known as The Concert. 

Raquel Welch stands surrounded by a group of men on the set of the film The Beloved (aka Sin and Restless), written and directed by George P. Cosmatos, in Cyprus in 1970. The actress, along with her costar Richard Johnson, took no salary for the film, just expenses and a share of the profits. 

Raquel Welch stands on a table in her knickers while filming Myra Breckinridge. The 1970 American comedy was based on Gore Vidal’s novel and directed by Michael Sarne.

Pete Townshend of The Who kneels on stage as he smashes his Sunburst Fender Stratocaster while performing My Generation at the Opera House in Peoria, Illinois in 1967. Townshend was known for destroying his guitars on stage. It is estimated he broke over 35 guitars in 1967 alone. 

Jerry Hall is photographed wearing a one-shouldered satin column dress and feathered coat by Dior during a British Vogue photoshoot at the Palace of Versailles. The image, taken September 1, 1975, was part of a larger shoot done by Parkinson to showcase the newly restored Palace in all of its extravagant glory. 

A barefoot Paul Newman is photographed in a t-shirt and shorts as he carries beer outside his home in Connecticut, circa 1981. The charming colonial house on a pristine 10.46 acres was where Newman and his wife, actress Joanne Woodward, settled down and raised their family.

David Bailey demonstrates a pose as he gives instructions to model Moyra Swan.  Bailey was known for helping to create the "Swinging London" of the 1960s during his time working as a photographer at British Vogue.

Founders of The Jazztet, trumpet player Art Farmer and tenor saxophonist Benny Golson hold their instruments as they stand amongst the rubble. Williams took this picture as part of a photoshoot for the September 1960 cover of Jazz publication DownBeat magazine.

Antonio Lopez is photographed filming Jerry Hall at Dunn’s River Falls in Ocho Rios, Jamaica. Hall wears a bikini from Electric Fittings with Saint Laurent Rive Gauche jewels for the British Vogue magazine shoot in May of 1975.

Harrison Ford is photographed riding a horse through the mist on the set of Indiana Jones and the Temple of Doom directed by Steven Spielberg in 1984. The series, created by George Lucas, follows Jones, a fictional professor of archeology on his adventures around the globe. 

Terence Stamp and Jean "The Shrimp" Shrimpton are photographed at Stamps flat in London for The Daily Express published on June 29, 1965. The couple was regarded as the "faces of the 60s" by Vogue magazine. Now, over 50 years after this iconic photograph was captured, photographer Terry O’Neill and long-time friend Terence Stamp have co-signed Fine Art Print editions.

Sharon Tate holds a teddy bear as she poses nude on a shag rug during a London photo shoot, 1968.  Tate and O'Neill worked together several times before her tragic death in 1969.

Steve McQueen wears aviator sunglasses as he sits on his desk at his Hollywood office in 1969. McQueen's antihero persona, emphasized during the height of the counterculture of the 1960s, made him a top box-office draw for his films of the late 1950s, 1960s, and 1970s.