Pelé is photographed getting carried off the field by fans after winning the FIFA World Cup Final against Italy at the Estadio Azteca in Mexico City on June 21, 1970. The Brazillian footballer was instrumental in securing his team's way to the final, having scored 14 of Brazil's 19 goals in the tournament.

Sharon Tate holds a teddy bear as she poses nude on a shag rug during a London photo shoot, 1968.  Tate and O'Neill worked together several times before her tragic death in 1969.

Steve McQueen wears aviator sunglasses as he sits on his desk at his Hollywood office in 1969. McQueen's antihero persona, emphasized during the height of the counterculture of the 1960s, made him a top box-office draw for his films of the late 1950s, 1960s, and 1970s.

Faye Dunaway takes breakfast by the pool as she reads the day’s newspapers at the Beverley Hills Hotel on March 29, 1977.  This photograph of the morning after she won an Oscar for Best Actress in a Leading Role for Network is widely considered to be one of the defining images of Hollywood.

Harrison Ford is photographed riding a horse through the mist on the set of Indiana Jones and the Temple of Doom directed by Steven Spielberg in 1984. The series, created by George Lucas, follows Jones, a fictional professor of archeology on his adventures around the globe. 

CMarlon Brando is photographed on the set of Bernardo Bertolucci’s controversial 1973 masterpiece The Last Tango In Paris. The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different jurisdictions.

Carmen Dell’Orefice stands in an oilskin smock from Captain O.M. Watts as she is photographed in the South of France for a 1961 Vogue fashion feature titled "Seascapes with Figures". Having been featured on the cover of Vogue at the age of 15, Dell'Orefice was one of the magazine's youngest cover models and is now recognized as the oldest working model in the world. 

Raquel Welch stands surrounded by a group of men on the set of the film The Beloved (aka Sin and Restless), written and directed by George P. Cosmatos, in Cyprus in 1970. The actress, along with her costar Richard Johnson, took no salary for the film, just expenses and a share of the profits. 

British model Wenda Parkinson wears a satin Molyneaux evening gown while posing with a 1907 Rolls-Royce Silver Ghost for British Vogue in 1950. Wenda was one of Norman Parkinson's favorite subjects and a year after the pair's first assignment together, they got married. 

Actress Brigitte Bardot smokes a cigarette at a producer’s lunch in Deauville before the filming of the 1968 movie Shalako. This was the first time that Bardot met her costar Sean Connery in what would be a union of two of the sixties' most iconic, charismatic sex symbols on the big screen.

Roger Moore is photographed as the famed British Secret Service agent James Bond. He was the lead in seven Bond features and O'Neill recalls going to the set of Live and Let Die thinking he would "go take photos of Roger Moore, but [he] came out knowing that [he] just took photos of James Bond.”

Brigitte Bardot is photographed on the set of the western comedy Les Petroleuses a.k.a. The Legend of Frenchie King in Spain in 1971. Taken as part of a three-part series O'Neill was doing on Bardot, the image captures the bombshell in her role as an outlaw in search of oil complete with leather pants and a holstered gun.

David Bailey demonstrates a pose as he gives instructions to model Moyra Swan.  Bailey was known for helping to create the "Swinging London" of the 1960s during his time working as a photographer at British Vogue.

Ella Fitzgerald performs on Ken Nordine's show in Chicago in 1961. Often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella, Fitzgerald was the first African American woman to win a Grammy Award and collected an astounding 14 over the course of her career.

Lee Marvin smokes a cigarette on the set of Stuart Rosenberg's comedy western Pocket Money in Tucson, Arizona in 1971. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up with his old partner (Lee Marvin) to complete his latest job for a shifty businessman. 

Pete Townshend of The Who kneels on stage as he smashes his Sunburst Fender Stratocaster while performing My Generation at the Opera House in Peoria, Illinois in 1967. Townshend was known for destroying his guitars on stage. It is estimated he broke over 35 guitars in 1967 alone. 

This image captures an unpublished full frame of Della Oake as she is photographed for the May 1950 cover of British Vogue. Oake was the first British model to be featured in American Vogue and is considered one of the quintessential porcelain-skinned beauties of the 1950s.  

Supermodel Kate Moss poses in a black lace bodystocking during a photoshoot. This shot was taken in London in March of 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

Actress Romy Schneider is photographed as part of a promotional shot for the 1972 film The Assassination of Trotsky. The drama, directed by Joseph Losey, explores the mystery surrounding the 1940 killing of Russian Revolution leader Leon Trotsky.

Faye Dunaway takes breakfast by the pool as she reads the day’s newspapers at the Beverley Hills Hotel on March 29, 1977.  This photograph of the morning after she won an Oscar for Best Actress in a Leading Role for Network is widely considered to be one of the defining images of Hollywood.

John Birks "Dizzy" Gillespie is photographed playing the trumpet on Ken Nordine's jazz TV show in Chicago in 1961. Gillespie's combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop and one of the greatest jazz trumpeters of all time.

Celia Hammond is photographed by Norman Parkinson wearing goggles and a headdress made of silk chiffon for Queen magazine in 1964. Hammond became a favorite model of Parkinson's and credits the rise of her career to him and his photographs. 

Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times magazine, and is now one of O'Neill's most iconic and collected works.

Grace Coddington is photographed wearing a fleece collarless coatdress by Jane Jane for British Vogue in August of 1966. The picture was taken by Norman Parkinson who also shot Coddington's first-ever Vogue photos after she won the publication's Young Model Competition.