A barefoot Paul Newman is photographed in a t-shirt and shorts as he carries beer outside his home in Connecticut, circa 1981. The charming colonial house on a pristine 10.46 acres was where Newman and his wife, actress Joanne Woodward, settled down and raised their family.

Celia Hammond sits behind the wheel of a car in a mod floral dress during a photoshoot for Woman’s Mirror in August of 1964. Hammond became a favorite model of Parkinson's and credits the rise of her career to him and his photographs. 

Carmen Dell’Orefice stands in an oilskin smock from Captain O.M. Watts as she is photographed in the South of France for a 1961 Vogue fashion feature titled "Seascapes with Figures". Having been featured on the cover of Vogue at the age of 15, Dell'Orefice was one of the magazine's youngest cover models and is now recognized as the oldest working model in the world. 

Enid Boulting is photographed wearing a Helena Geffers suit for a British Vogue photoshoot in March of 1950. Boulting was the face of Biba Cosmetics in the late sixties and appeared on four British Vogue covers. 

A group of men carries a traditional Bahay Kubo community house as part of a relocating effort on the Island of Mactan in 1953. The Bahay Kubo is an icon of Filipino culture and a representation of Bayanihan, which refers to a spirit of communal unity.

Sharon Tate holds a teddy bear as she poses nude on a shag rug during a London photo shoot, 1968.  Tate and O'Neill worked together several times before her tragic death in 1969.

Terence Stamp and Jean "The Shrimp" Shrimpton are photographed at Stamps flat in London for The Daily Express published on June 29, 1965. The couple was regarded as the "faces of the 60s" by Vogue magazine. Now, over 50 years after this iconic photograph was captured, photographer Terry O’Neill and long-time friend Terence Stamp have co-signed Fine Art Print editions.

Honor Blackman stands in a bikini on the beach for a publicity shot to promote the 1964 James Bond film Goldfinger. Spelled out in the sand is the name of her character, Pussy Galore.

David Bowie is photographed crouched down and crooning onstage during his late American tour in 1976. Gone is the make-up, the glitter, and the outrageous clothes of previous tours, and in its place is a white-suited Gatsby look.

Duke Ellington is photographed playing the piano accompanied by other musicians during a Christmas party in Chicago, 1955. Ellington gained a national profile through his orchestra's appearances at the Cotton Club in Harlem and in the years following, cemented himself as one of the most significant composers of the genre.

Founders of The Jazztet, trumpet player Art Farmer and tenor saxophonist Benny Golson hold their instruments as they stand amongst the rubble. Williams took this picture as part of a photoshoot for the September 1960 cover of Jazz publication DownBeat magazine.

Supermodel Kate Moss poses for a close-up on the set of a London photoshoot. This was shot in 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

David Bailey demonstrates a pose as he gives instructions to model Moyra Swan.  Bailey was known for helping to create the "Swinging London" of the 1960s during his time working as a photographer at British Vogue.

A young Italian boy holds a mirror up for an American GI as he slicks his hair back surrounded by locals in Eboli, Italy in 1943. This image was part of a series of photographs taken by George Rodger for Life Magazine documenting the War in Europe.

Actress Romy Schneider is photographed as part of a promotional shot for the 1972 film The Assassination of Trotsky. The drama, directed by Joseph Losey, explores the mystery surrounding the 1940 killing of Russian Revolution leader Leon Trotsky.

Lee Marvin smokes a cigarette on the set of Stuart Rosenberg's comedy western Pocket Money in Tucson, Arizona in 1971. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up with his old partner (Lee Marvin) to complete his latest job for a shifty businessman. 

Chuck Negron of American rock band Three Dog Night is photographed on stage in the early 1970s.  Ed Caraeff would form a tight relationship with the band and become their official tour photographer for many years.  

Pete Townshend of The Who kneels on stage as he smashes his Sunburst Fender Stratocaster while performing My Generation at the Opera House in Peoria, Illinois in 1967. Townshend was known for destroying his guitars on stage. It is estimated he broke over 35 guitars in 1967 alone. 

Brigitte Bardot dons brocade pajamas while napping during the filming of The Novices directed by Guy Casaril in France. O'Neill notes: "Between takes on the set, I stumbled upon Brigitte sleeping. As if on cue, the dog jumped onto the bed and stuck his tongue out. Brigitte woke with a start and began to laugh – but not before I’d taken my shot."

Roger Moore is photographed as the famed British Secret Service agent James Bond. He was the lead in seven Bond features and O'Neill recalls going to the set of Live and Let Die thinking he would "go take photos of Roger Moore, but [he] came out knowing that [he] just took photos of James Bond.”

David Bowie poses in a blazer, feather boa, and sunglasses beside his former wife Angie Bowie in a 1974 photoshoot. The legendary couple heavily influenced the glam rock culture and fashion of the 1970s.

American fashion model Nena von Schlebrügge is photographed wearing a damson velvet hat by Pierre Cardin during a photoshoot for Queen magazine on August 31, 1960.  The photoshoot featured Schlebrügge modeling in a helicopter flying over the Eiffel Tower. 

Iman poses in a monochrome Valentino suit, cape, and headdress surrounded by ornate pillows for Vogue Italia in March of 1976. A muse of the designers Gianni Versace, Thierry Mugler, Calvin Klein, Donna Karan, and Yves Saint Laurent, she was also married to rock musician David Bowie from 1992 until his death in 2016.

Marianne Faithfull poses in a corset, stockings, and suspenders for an early publicity photo in London 1966.  Faithfull's manager, Andrew Loog Oldham, was also the first manager of the Rolling Stones and asked Terry O'Neill to work with his other new acts.