Founders of The Jazztet, trumpet player Art Farmer and tenor saxophonist Benny Golson hold their instruments as they stand amongst the rubble. Williams took this picture as part of a photoshoot for the September 1960 cover of Jazz publication DownBeat magazine.

Supermodel Kate Moss poses in a black lace bodystocking during a photoshoot. This shot was taken in London in March of 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

Antonio Lopez is photographed filming Jerry Hall at Dunn’s River Falls in Ocho Rios, Jamaica. Hall wears a bikini from Electric Fittings with Saint Laurent Rive Gauche jewels for the British Vogue magazine shoot in May of 1975.

Iman poses in a monochrome Valentino suit, cape, and headdress surrounded by ornate pillows for Vogue Italia in March of 1976. A muse of the designers Gianni Versace, Thierry Mugler, Calvin Klein, Donna Karan, and Yves Saint Laurent, she was also married to rock musician David Bowie from 1992 until his death in 2016.

Sharon Tate holds a teddy bear as she poses nude on a shag rug during a London photo shoot, 1968.  Tate and O'Neill worked together several times before her tragic death in 1969.

Faye Dunaway takes breakfast by the pool as she reads the day’s newspapers at the Beverley Hills Hotel on March 29, 1977.  This photograph of the morning after she won an Oscar for Best Actress in a Leading Role for Network is widely considered to be one of the defining images of Hollywood.

Marianne Faithfull poses in a corset, stockings, and suspenders for an early publicity photo in London 1966.  Faithfull's manager, Andrew Loog Oldham, was also the first manager of the Rolling Stones and asked Terry O'Neill to work with his other new acts. 

Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times magazine, and is now one of O'Neill's most iconic and collected works.

Supermodel Kate Moss poses for a close-up on the set of a London photoshoot. This was shot in 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

Terence Stamp and Jean "The Shrimp" Shrimpton are photographed at Stamps flat in London for The Daily Express published on June 29, 1965. The couple was regarded as the "faces of the 60s" by Vogue magazine. Now, over 50 years after this iconic photograph was captured, photographer Terry O’Neill and long-time friend Terence Stamp have co-signed Fine Art Print editions.

Lee Marvin smokes a cigarette on the set of Stuart Rosenberg's comedy western Pocket Money in Tucson, Arizona in 1971. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up with his old partner (Lee Marvin) to complete his latest job for a shifty businessman. 

Pete Townshend of The Who kneels on stage as he smashes his Sunburst Fender Stratocaster while performing My Generation at the Opera House in Peoria, Illinois in 1967. Townshend was known for destroying his guitars on stage. It is estimated he broke over 35 guitars in 1967 alone. 

Brigitte Bardot is photographed on the set of the western comedy Les Petroleuses a.k.a. The Legend of Frenchie King in Spain in 1971. Taken as part of a three-part series O'Neill was doing on Bardot, the image captures the bombshell in her role as an outlaw in search of oil complete with leather pants and a holstered gun.

Roger Moore is photographed as the famed British Secret Service agent James Bond. He was the lead in seven Bond features and O'Neill recalls going to the set of Live and Let Die thinking he would "go take photos of Roger Moore, but [he] came out knowing that [he] just took photos of James Bond.”

David Bailey demonstrates a pose as he gives instructions to model Moyra Swan.  Bailey was known for helping to create the "Swinging London" of the 1960s during his time working as a photographer at British Vogue.

John Birks "Dizzy" Gillespie is photographed playing the trumpet on Ken Nordine's jazz TV show in Chicago in 1961. Gillespie's combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop and one of the greatest jazz trumpeters of all time.

A young Italian boy holds a mirror up for an American GI as he slicks his hair back surrounded by locals in Eboli, Italy in 1943. This image was part of a series of photographs taken by George Rodger for Life Magazine documenting the War in Europe.

Harrison Ford is photographed riding a horse through the mist on the set of Indiana Jones and the Temple of Doom directed by Steven Spielberg in 1984. The series, created by George Lucas, follows Jones, a fictional professor of archeology on his adventures around the globe. 

Sean Connery and Brigitte Bardot pause during a photoshoot of their own in Deauville, before the filming of 1968 movie Shalako. The movie, directed by Edward Dmytryk, was the first time that the two icons met and worked together. 

Enid Boulting is photographed wearing a Helena Geffers suit for a British Vogue photoshoot in March of 1950. Boulting was the face of Biba Cosmetics in the late sixties and appeared on four British Vogue covers. 

Actress Brigitte Bardot smokes a cigarette at a producer’s lunch in Deauville before the filming of the 1968 movie Shalako. This was the first time that Bardot met her costar Sean Connery in what would be a union of two of the sixties' most iconic, charismatic sex symbols on the big screen.

Actress Romy Schneider is photographed as part of a promotional shot for the 1972 film The Assassination of Trotsky. The drama, directed by Joseph Losey, explores the mystery surrounding the 1940 killing of Russian Revolution leader Leon Trotsky.

Grace Slick, frontwoman of Jefferson Airplane, performs with the band at Monterey Pop Festival in California in 1967. Slick was one of the earliest female rock stars alongside her close contemporary Janis Joplin and was a key figure in San Francisco's early psychedelic music scene in the mid-1960s.

This image captures an unpublished full frame of Della Oake as she is photographed for the May 1950 cover of British Vogue. Oake was the first British model to be featured in American Vogue and is considered one of the quintessential porcelain-skinned beauties of the 1950s.