Lee Marvin smokes a cigarette on the set of Stuart Rosenberg's comedy western Pocket Money in Tucson, Arizona in 1971. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up with his old partner (Lee Marvin) to complete his latest job for a shifty businessman. 

Steve McQueen wears aviator sunglasses as he sits on his desk at his Hollywood office in 1969. McQueen's antihero persona, emphasized during the height of the counterculture of the 1960s, made him a top box-office draw for his films of the late 1950s, 1960s, and 1970s.

John Fogerty, lead singer and guitarist of Creedence Clearwater Revival, is photographed performing with the band at the Oakland Coliseum Arena in California in 1970. The show would be recorded and released as an album years later, becoming known as The Concert. 

Carmen Dell’Orefice stands in an oilskin smock from Captain O.M. Watts as she is photographed in the South of France for a 1961 Vogue fashion feature titled "Seascapes with Figures". Having been featured on the cover of Vogue at the age of 15, Dell'Orefice was one of the magazine's youngest cover models and is now recognized as the oldest working model in the world. 

Enid Boulting is photographed wearing a Helena Geffers suit for a British Vogue photoshoot in March of 1950. Boulting was the face of Biba Cosmetics in the late sixties and appeared on four British Vogue covers. 

Ella Fitzgerald performs on Ken Nordine's show in Chicago in 1961. Often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella, Fitzgerald was the first African American woman to win a Grammy Award and collected an astounding 14 over the course of her career.

Supermodel Kate Moss poses for a close-up on the set of a London photoshoot. This was shot in 1992, just before Kate's breakout Calvin Klein campaign that would make her a star.

British model Wenda Parkinson wears a satin Molyneaux evening gown while posing with a 1907 Rolls-Royce Silver Ghost for British Vogue in 1950. Wenda was one of Norman Parkinson's favorite subjects and a year after the pair's first assignment together, they got married. 

David Bowie is photographed crouched down and crooning onstage during his late American tour in 1976. Gone is the make-up, the glitter, and the outrageous clothes of previous tours, and in its place is a white-suited Gatsby look.

Jerry Hall is photographed wearing a one-shouldered satin column dress and feathered coat by Dior during a British Vogue photoshoot at the Palace of Versailles. The image, taken September 1, 1975, was part of a larger shoot done by Parkinson to showcase the newly restored Palace in all of its extravagant glory. 

Roger Moore is photographed as the famed British Secret Service agent James Bond. He was the lead in seven Bond features and O'Neill recalls going to the set of Live and Let Die thinking he would "go take photos of Roger Moore, but [he] came out knowing that [he] just took photos of James Bond.”

David Bowie poses in a blazer, feather boa, and sunglasses beside his former wife Angie Bowie in a 1974 photoshoot. The legendary couple heavily influenced the glam rock culture and fashion of the 1970s.

CMarlon Brando is photographed on the set of Bernardo Bertolucci’s controversial 1973 masterpiece The Last Tango In Paris. The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different jurisdictions.

John Birks "Dizzy" Gillespie is photographed playing the trumpet on Ken Nordine's jazz TV show in Chicago in 1961. Gillespie's combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop and one of the greatest jazz trumpeters of all time.

Grace Slick, frontwoman of Jefferson Airplane, performs with the band at Monterey Pop Festival in California in 1967. Slick was one of the earliest female rock stars alongside her close contemporary Janis Joplin and was a key figure in San Francisco's early psychedelic music scene in the mid-1960s.

Actress Romy Schneider is photographed as part of a promotional shot for the 1972 film The Assassination of Trotsky. The drama, directed by Joseph Losey, explores the mystery surrounding the 1940 killing of Russian Revolution leader Leon Trotsky.

Faye Dunaway takes breakfast by the pool as she reads the day’s newspapers at the Beverley Hills Hotel on March 29, 1977.  This photograph of the morning after she won an Oscar for Best Actress in a Leading Role for Network is widely considered to be one of the defining images of Hollywood.

Honor Blackman stands in a bikini on the beach for a publicity shot to promote the 1964 James Bond film Goldfinger. Spelled out in the sand is the name of her character, Pussy Galore.

A young Italian boy holds a mirror up for an American GI as he slicks his hair back surrounded by locals in Eboli, Italy in 1943. This image was part of a series of photographs taken by George Rodger for Life Magazine documenting the War in Europe.

Raquel Welch stands surrounded by a group of men on the set of the film The Beloved (aka Sin and Restless), written and directed by George P. Cosmatos, in Cyprus in 1970. The actress, along with her costar Richard Johnson, took no salary for the film, just expenses and a share of the profits. 

Founders of The Jazztet, trumpet player Art Farmer and tenor saxophonist Benny Golson hold their instruments as they stand amongst the rubble. Williams took this picture as part of a photoshoot for the September 1960 cover of Jazz publication DownBeat magazine.

Pelé is photographed getting carried off the field by fans after winning the FIFA World Cup Final against Italy at the Estadio Azteca in Mexico City on June 21, 1970. The Brazillian footballer was instrumental in securing his team's way to the final, having scored 14 of Brazil's 19 goals in the tournament.

Actress Brigitte Bardot smokes a cigarette at a producer’s lunch in Deauville before the filming of the 1968 movie Shalako. This was the first time that Bardot met her costar Sean Connery in what would be a union of two of the sixties' most iconic, charismatic sex symbols on the big screen.

Raquel Welch stands on a table in her knickers while filming Myra Breckinridge. The 1970 American comedy was based on Gore Vidal’s novel and directed by Michael Sarne.